How to

  1. Grab the specimen

    DownloadThe specimen.

    It’s a few small files, plus instructions so you know where to add a typeface. Download the 9k zip.

    Current version: 1.0

  2. Add a typeface

    Aa

    Skolar by Type Together*

    Aa

    Bentham by Reading Type

    Both of these typefaces are licensed for use with the CSS @font-face rule.

    * Available via Typekit.

  3. Study and test

    Lorem ipsum rendered in several unnamed browsers.

    Browser rendering will vary.

    Litmus

    Browser test with Litmus. Set up an account for free. Try a 14-Day Project Pass and test in every browser.

Look inside – studying the specimen

Example of Web Font Specimen, labeled to correspond with the ordered list that follows.

View a demo specimen.

  1. Font name is a place for, yep, the name of the typeface. Comes in handy when scanning thumbnails of specimens.
  2. Headings, lists, and emphasis exercise your typeface in a setting similar to how you might find it used in web projects. Several kinds of heading, ordered and unordered lists, italic and boldface text, drop caps, small caps, and a whole paragraph in italic.
  3. Body size comparison reveals an aspect of your typeface that can’t otherwise be seen. Useful for deciding whether type is suitable for use online and helpful for finding a comparable understudy.
  4. Leading (line-height) shows the type in a handful of reasonable values, so you can decide for yourself how much vertical space is needed between lines of text.
  5. Glyphs is a traditional style of type specimen. This is good for finding odd characters in a font, but it’s also easy on the eyes as you scour the specimen. Type at web text sizes can look quite different from the designed typeface; consider this area a refresher on the type’s true form.
  6. Measure (width) works out your typeface in paragraphs of various proportions, to help you decide on the appropriate line length for your text.
  7. Size (font-size) cascades your type in both title case and uppercase, so you can quickly judge whether it will render better, worse, or equally well at slightly larger or smaller sizes. A small amount of tracking is applied to the uppercase.
  8. Grayscale. We web typographers use grayscale all the time. Contrast is a good thing, but straight black and white can be harsh. See for yourself how the typeface renders in several shades of gray.
  9. Light on dark previews can provide a heads-up in cases where browsers render your typeface more heavily than if it were dark text on a light background.
  10. Color is an important factor in web typography because most of us view type on color screens (like LCD monitors), and type on color screens is literally made from a mixture of red, green, and blue light. Red pixels, for instance, can be one third the size of white pixels. Web Font Specimen displays your type in color combinations that reflect this reality.
  11. Footer. This is a discreet legal message referring to Web Font Specimen as an original work licensed under Creative Commons. If you download and make changes to the specimen, you’ll find an alternate phrase in HTML comments near the footer; this makes it easy to briefly explain that your adjusted specimen is a derivative of Web Font Specimen. Thanks for taking a minute to do this before you share your version with others.

See how type looks on the web

Because web type renders differently with only subtle CSS adjustments, seeing it exercised in a variety of ways can help web designers typeset—and also help them decide which typefaces to purchase for their projects. Read more at A List Apart.

Free to use and improve

I designed Web Font Specimen and have released it under a Creative Commons license for the betterment of typographic style and practice. Download it, make it your own, and make it better. If you publish a new version, just mention that it’s a derivative of Web Font Specimen.

Giving this away is good for web typography, and it’s also a way to let more people know about Nice Web Type. Follow me on Twitter and subscribe via RSS so you’ll know about the next thing I make.

New to web typography?

No problem! Even seasoned pros are just getting familiar with web type. If you’re entirely new to web design or typography, see these resources. They’ll teach you the basics and will serve as trustworthy references for years to come. Highly recommended.

If you know your way around markup, style, type, and typesetting, you’re probably wondering how Web Font Specimen is different from other tools and where it fits into the current debate about licensing type for web use. My article at A List Apart explains all of that.

About the project

Hi, I’m Tim Brown. I work at Vassar College and I write Nice Web Type. Having typeset some examples and been invited to preview several type delivery services, I realized the need for this proper type specimen.

I bounced the idea off of Jason Santa Maria, who also recognized the need for such a resource. With his encouragement and guidance, a sample type specimen I made grew into Web Font Specimen and made its way to you. Jason, thanks for your time and your brilliant ideas. I owe you one.

Special thanks also to Typophile for the excellent community in which this idea was incubated, and to James Puckett for getting me thinking.

Thanks to everyone who follows nicewebtype on Twitter, and a special shout-out to my fellows in the trenches. You fuel projects like this.

Finally, thanks to my wife, baby daughter, family, friends, and coworkers. Making this took time out of their lives too, and I appreciate the sacrifice.

Sponsorship

Type sellers, if you would like your @font-face-licensed typeface to be used as one of the two examples in step 2 at the top of this page, send me e-mail or contact nicewebtype on Twitter.

Browser testing services, if you would like your service listed in step 3 at the top of this page, send me e-mail or contact nicewebtype on Twitter.

Colophon

Web Font Specimen (this site, not the specimen) uses Typekit-served Proxima Nova and Proxima Nova Condensed by Mark Simonson. Coded and published with Coda. Dreamhosted. Minted. Egomaniacal.

The downloadable specimen relies upon Eric Meyer’s reset.css and Nathan Smith’s 960.gs. Both excellent resources.

Download was hand-lettered by my friend and professor, George Laws. See more of George's lettering via photos I snap in the hallway.